614 lines
16 KiB
Plaintext
614 lines
16 KiB
Plaintext
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Structured Subtitle Format 1.0 (boring name, need a better one)
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------------------------------
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The encoding must be utf-8/16le/16be with the BOM at the beginning.
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Parsing is prefered to be stream oriented, which means:
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- new-line characters in text do not differ from the rest of the white-space characters
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- forward references are not allowed
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Comments
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--------
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// a comment, ends at the end of the line
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/* this is a comment, too */
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Syntax
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------
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Fortunatelly, there is only one general way to define something. The elements are broken
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into lines for better understanding, but they can be compressed into one single line as well,
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whichever suits your preference. The term "type" could be read as "attribute" or "member of
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a structure" too.
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[!]
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[type[.type[..]]]
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[#name]
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[: | =]
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[refs | quoted string | num | bool | raw]
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;
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As you can see nearly everything is optional, even the terminating semi-colon is not required
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when a closing bracket ends the definition anyway. However, either type or #name must be given,
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otherwise there would be no meaning of the expression.
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"!":
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- gives the definition high priority, normal priority types of the same kind cannot override it:
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#a {!t: 123;};
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#b {t: 234;};
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#c a b; // t of c equals to 123
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- works on references too:
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!#a {t: 123;};
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#b {t: 234;};
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#ab a b;
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#c ab; // t of c still equals to 123
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"type" and "name":
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- alphanumeric or underscore characters only, without spaces
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- cannot start with a number
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- case-sensitive
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"type":
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- type is optional but can be inherited through referencing other names which happen to have a type already
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color#c1 {a: 0x80;};
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#c2: c1; // c2 also has the type of color now
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#c3: c2; // c3 too
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- if there is a type already additional references cannot change it
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- when mixing different types (not recommended) the first one decides
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- there is one special type which have an important but a limited use: @ (see 'subtitle' for an example usage)
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- it is not parsed for references or nested definitions
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- the content of the following block {...} is saved as-is for the application
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- cannot be global or named and therefore referenced
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- { and } have to be escaped with \ inside the block (other block specific characters may as well)
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- type.type.type.... is equal to writing: type {type {type {...};};};
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"name":
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- every name is globally visible
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- redefining a name is forbidden, unless it was predefined by the application
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- using the type as the name (type#type) can change the type's default values
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- however, the scope is important:
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subtitle#subtitle {style.font.size: 20;};
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style#style {font.size: 30;};
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style#s1 {font.face: "Arial";};
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style#s2 : s1 {font.color: red;};
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subtitle#a {style: s2 {font.weight: "normal";};};
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Here font.size equals to 20, because it inherits from subtitle#subtitle.style instead of the
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global style#style, additionally it gets the properties of s2-s1 and the inline def. If it also
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inherited properties from style#style through s2-s1 indirectly, there would be two default base
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definitions and the order of overriding eachother would not be clear.
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subtitle#a.style
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<- subtitle#subtitle.style
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<- s2 <- s1 <-NOT- style#style
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<- {font.weight: "normal";}
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"refs":
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- combination of any names or nested definitions separated by spaces
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- forward references are not allowed
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- referencing a value type directly is not allowed: (TODO: this may change)
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OK:
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color#c1: {a: 12;};
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color#c2: c1;
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BAD:
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#twelve: 12;
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color#c2: {a: twelve;};
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- 'name' must have been defined by a parent node
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OK:
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#c1: {a: 12;};
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style#s1 {color: c1;};
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style#s2 {color: c1;};
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BAD:
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style#s1 {color#c1: {a: 12;};};
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style#s2 {color: c1;}; // c1 cannot be accessed here
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"quoted string" or 'quoted string':
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- \ escapes characters, including " and '
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- cannot contain any new-line characters
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"num":
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- decimal, hexadecimal (prefixed with: 0x), float [+ unit (optional, see 'time' below for an example)]
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- there are numbers with restricted range or special formatting:
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- degrees: <num> mod 360
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- percent: must be between 0 and 1
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- time: [+] [<num>:[<num>:[<num>.]]]<num> | <num>h | <num>m | <num>s | <num>ms
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"bool":
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- "true" | "false" | "on" | "off" | "yes" | "no" | 1 | 0
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- unrecognizable values will result in unpredictable behaviour, since there can't be a default fallback value
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Recognized types and attributes
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-------------------------------
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file
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{
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format: <string>; // identifies the file format ("ssf")
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version: <num>; // file format version (1)
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language: <string>; // iso6392
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title: <string>;
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year: <num>;
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author: <string>;
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};
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color
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{
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// a, r, g, b: 0 - 255 or 0x00 - 0xff
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a: <num>;
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r: <num>;
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g: <num>;
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b: <num>;
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};
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point
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{
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x: <num>;
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y: <num>;
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};
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size
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{
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cx: <num>;
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cy: <num>;
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};
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rect
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{
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t: <num>;
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r: <num>;
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b: <num>;
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l: <num>;
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};
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align
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{
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// when given in percent, 0 means top/left, 1 bottom/right, 0.5 middle/center
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v: ["top" | "middle" | "bottom" | <percent>];
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h: ["left" | "center" | "right" | <percent>];
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};
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angle
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{
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x: <degrees>;
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y: <degrees>;
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z: <degrees>;
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};
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frame
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{
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reference: ["video" | "window"];
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resolution: <size>;
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};
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direction
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{
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primary: ["right" | "left" | "down" | "up"];
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secondary: ["right" | "left" | "down" | "up"]; // must be perpendicular to primary
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};
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placement
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{
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clip: ["none" | "frame" | <rect>]; // anything drawn outside this rectangle is clipped, negative or larger than 'resolution' values are not allowed for rect
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margin: <rect>; // "top" "right" "bottom" "left" are also valid values for the rect members, they refer to the values of the "frame" rect (0, 0, frame.resolution.cx, frame.resolution.cy)
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align: <align>;
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pos: ["auto" | <point>]; // absolute values, pos.x or pos.y can be animated only when both the source and destination style defined it
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offset: <point>; // relative to pos, unlike pos this can be applied to fragments of the text as an override
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angle: <angle>; // origin of rotation is the alignment point, unless it is overriden
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org: ["auto" | <point>]; // override for the origin
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path: <string>; // a series of x y coord pairs (at least two points)
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};
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font
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{
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face: <string>;
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size: <num>;
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weight: ["normal" | "bold" | "thin" | <num>];
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color: <color>;
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underline: <bool>;
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strikethrough: <bool>;
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italic: <bool>;
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spacing: <num>;
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scale: <size>;
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kerning: <bool>;
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};
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background
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{
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color: <color>;
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size: <num>;
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type: ["outline" | "enlarge" | "box"];
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blur: <num>; // number of passes
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// "enlarge" can be computed faster, but because it follows the path of the original outline it is
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// not rounded and size > 1 can make it look pretty bad if it intersects with itself.
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};
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shadow
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{
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color: <color>;
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depth: <num>;
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angle: <degrees>;
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blur: <num>; // number of passes
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};
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fill
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{
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color: <color>;
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width: <percent>;
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// It cannot be applied to the same text multiple times as an override.
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//
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// #k1 {fill.width:1; time {start: +0; stop: +1s;}};
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// #k2 {fill.width:1; time {start: 0; stop: 2s;}};
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//
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// OK:
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// [k1] {Hello}
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//
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// BAD:
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// [k1] {Wo[k2]{r}ld!}
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//
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};
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time
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{
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id: [<string> | <num>];
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start: <time>; // inclusive
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stop: <time>; // exclusive
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scale: <num>; // if the time was set WITHOUT a unit, then start and stop are measured in [scale * seconds]
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};
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style
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{
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linebreak: ["word" | "char" | "none"]; // ignored if subtitle.wrap: "manual"
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placement: <placement>;
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font: <font>;
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background: <background>;
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shadow: <shadow>;
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fill: <fill>;
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};
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animation
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{
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time: <time>; // before start: previous style, after stop: this style, animation is done between start and stop according to transition
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transition: ["linear" | "start" | "stop" | <num>]; // <num> is the same as the acceleration parameter of advanced ssa (see the "ass-specs"), "start" or "stop" sets num to 0 and inf, "linear" sets it to 1.0
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loop: <num>; // the number of times the effect should repeat, e.g. loop set to 2 makes the style turn from src to dst twice, between start => (start+stop)/2 and (start+stop)/2 => stop
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direction: ["fw" | "bw" | "fwbw" | "bwfw"]; // "bwfw" and "fwbw" makes the value of loop multiplied by two internally
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};
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subtitle
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{
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frame: <frame>;
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direction: <direction>;
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wrap: ["normal" | "even" | "manual"];
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layer: <num>;
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time: <time>;
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style: <style>;
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@: {... dialog lines ...};
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To have a subtitle displayed the minimal set of fields required are:
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- time.start
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- time.stop
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- @
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About dialog lines
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------------------
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All white-space will be compressed into one space character.
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Special characters can be enforced:
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- new-line: \n
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- non-breaking space: \h
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Empty space will be completly removed at these places:
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- before and after outermost text block brackets:
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@ { --> here <-- Hello World! --> here <-- }
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- between the inner closing and opening brackets of overrides:
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[s1] --> here <-- {Hello World!}
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- around forced new-lines:
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Hello --> here <-- \n --> here <-- World!
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When neighboring spaces have different styles, the style of the trailing space is used:
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#u {font.underline: "true"};
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#s {font.strikethrough: "true"};
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[u] { Hello }
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[s] { World! }
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=>
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Hello_World!-
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______-------
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These special characters have to be escaped with a backslash:
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{ } [ ] \
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Style overrides
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---------------
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[refs] {... more dialog text ...}
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"name" as in type#name ... is unimportant and ignored.
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If there is a text block right after an override, the new style will be used only inside
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that block.
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Style and time offsets are restored at the end of text blocks.
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Examples:
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[s1] {s1 applies only to this block.}
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[s2] s2 applies till the end of the container block.
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[s1 s2 {color: red;} s3] {Multiple styles are valid just like in a normal ref list}
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{
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Nesting text blocks. Some may have overrides, others may not.
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[s1]
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{
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Every text block will be trimmed and white-space compressed,
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so we can use the space freely to make it a bit more readable.
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{Yet another nested block}
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}
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}
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Animation:
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The override is style + animation mixed.
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[{time.stop: +00:00:01.000; transition: "linear"; font.size: 20;}]
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{
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Here the size of the font gradually becomes 20 after one second.
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}
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[{font.color: white;}]
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{
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[{time.stop: +00:00:10.000; font.color: black;}]
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{Text turns from white to black in the first 10 seconds}
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[a1]
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{This one does whatever a1 tells to do}
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}
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[{time.start: "start"; time.stop: "stop"; font.size: 20}]
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{
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This is a way to refer to the subtitle's own start and stop values.
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You can predefine it for easier use:
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#a1 {time.start: "start"; time.stop: "stop";};
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[a1 {font.size: 20}] {...}
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}
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Karaoke effect using animation:
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[{background.size: 0;}]
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{
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[{time.start: 0s; time.stop: +1s; background.size: 10;}]
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{Ka}
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[{time.start: 1s; time.stop: +1s; background.size: 10;}]
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{ra}
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[{time.start: 2s; time.stop: +1s; background.size: 10;}]
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{o}
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[{time.start: 3s; time.stop: +1s; background.size: 10;}]
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{ke!}
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}
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To simplify the above, we can predefine the common parameters:
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#s1 {background.size: 0;};
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#a1 {time.start: +0s; time.stop: +1s; background.size: 10;};
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[s1]
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{
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[a1]{Ka}[a1]{ra}[a1]{o}[a1 {font.color: red;}]{ke!}
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// That last piece has even turned into a red in the end :)
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// And to make sure s1 has not been red already, we could derive it
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// from "whitefont" (defined somewhere else as: #whitefont {font.color: white;};)
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[a1]{Ka}[a1]{ra}[a1]{o}[a1 whitefont {font.color: red;};}]{ke!}
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}
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When specifying multiple style references watch out for the start/stop values
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of time. Since they override eachother you should only set them once.
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#a2 {font.color.a: 0;};
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#a3 {placement.angle.x: 360;};
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[s1] [a1 a2 a3]{Ka}[a1 a2 a3]{ra}[a1 a2 a3]{o}[a1 a2 a3]{ke!}
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If you want to be even lazier:
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#a4: a1 a2 a3;
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[s1] [a4]{Ka}[a4]{ra}[a4]{o}[a4]{ke!}
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To avoid the times overriding eachother use either nested text blocks ...
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#a2 {time.start: +0.5s; time.stop: +1s; font.color.a: 0;};
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#a3 {time.start: +1s; time.stop: +1s; placement.angle.x: 360;};
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[s1] [a1]{[a2]{[a3]Ka}}[a1]{[a2]{[a3]ra}}[a1]{[a2]{[a3]o}}[a1]{[a2]{[a3]ke}}
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... or a list of references were each has a different time.id ...
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#a1 {time {id: 1; start: +0s; stop: +1s;}; background.size: 10;};
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#a2 {time {id: 2; start: +0.5s; stop: +1s;}; font.color.a: 0;};
|
||
|
#a3 {time {id: 3; start: +1s; stop: +1s;}; placement.angle.x: 360;};
|
||
|
|
||
|
[s1] [a1,a2,a3]{Ka}[a1,a2,a3]{ra}[a1,a2,a3]{o}[a1,a2,a3]{ke!}
|
||
|
|
||
|
... or just let it auto-number the ids, each timer id becomes the actual position
|
||
|
in the comma separated list (a1 id => 1, a2 id => 2, a3 id => 3).
|
||
|
|
||
|
#a1 {time {start: +0s; stop: +1s;}; background.size: 10;};
|
||
|
#a2 {time {start: +0.5s; stop: +1s;}; font.color.a: 0;};
|
||
|
#a3 {time {start: +1s; stop: +1s;}; placement.angle.x: 360;};
|
||
|
|
||
|
[s1] [a1,a2,a3]{Ka}[a1,a2,a3]{ra}[a1,a2,a3]{o}[a1,a2,a3]{ke!}
|
||
|
|
||
|
It is also possible to leave some of the ref list slots empty.
|
||
|
|
||
|
[s1] [a1,a2,a3]{Ka}[,a2,a3]{ra}[a1,,a3]{o}[a1,a2,]{ke!}
|
||
|
|
||
|
Text includes
|
||
|
-------------
|
||
|
|
||
|
Text blocks can also be defined outside subtitles and included later.
|
||
|
|
||
|
#hw { @ {[{font.italic: "true"}]Hello World!}; };
|
||
|
subtitle { @ {[hw]}; };
|
||
|
|
||
|
When mixing style overrides and text includes, the new style applies to the text too.
|
||
|
|
||
|
#hw { @ {Hello World!}; };
|
||
|
subtitle { @ {[hw {font.italic: "true"}]}; };
|
||
|
|
||
|
Multiple levels of recursion:
|
||
|
|
||
|
#dblspace { @ {[{font.scale.cx: 2;}] }; }; // note: there is still only one space character here because of white space compression
|
||
|
#hw { @ {Hello[dblspace]World!}; };
|
||
|
subtitle { @ {[hw]}; };
|
||
|
};
|
||
|
|
||
|
Defaults and predefined names
|
||
|
-----------------------------
|
||
|
|
||
|
These must be predefined by the application and always assumed to be there for ssf version 1.
|
||
|
|
||
|
color#white {a: 255; r: 255; g: 255; b: 255;};
|
||
|
color#black {a: 255; r: 0; g: 0; b: 0;};
|
||
|
color#gray {a: 255; r: 128; g: 128; b: 128;};
|
||
|
color#red {a: 255; r: 255; g: 0; b: 0;};
|
||
|
color#green {a: 255; r: 0; g: 255; b: 0;};
|
||
|
color#blue {a: 255; r: 0; g: 0; b: 255;};
|
||
|
color#cyan {a: 255; r: 0; g: 255; b: 255;};
|
||
|
color#yellow {a: 255; r: 255; g: 255; b: 0;};
|
||
|
color#magenta {a: 255; r: 255; g: 0; b: 255;};
|
||
|
|
||
|
align#topleft {v: "top"; h: "left";};
|
||
|
align#topcenter {v: "top"; h: "center";};
|
||
|
align#topright {v: "top"; h: "right";};
|
||
|
align#middleleft {v: "middle"; h: "left";};
|
||
|
align#middlecenter {v: "middle"; h: "center";};
|
||
|
align#middleright {v: "middle"; h: "right";};
|
||
|
align#bottomleft {v: "bottom"; h: "left";};
|
||
|
align#bottomcenter {v: "bottom"; h: "center";};
|
||
|
align#bottomright {v: "bottom"; h: "right";};
|
||
|
|
||
|
time#time {scale: 1;};
|
||
|
time#startstop {start: "start"; stop: "stop";};
|
||
|
|
||
|
#b {font.weight: "bold"};
|
||
|
#i {font.italic: "true"};
|
||
|
#u {font.underline: "true"};
|
||
|
#s {font.strikethrough: "true"};
|
||
|
|
||
|
#nobr {linebreak: "none"};
|
||
|
|
||
|
subtitle#subtitle
|
||
|
{
|
||
|
frame
|
||
|
{
|
||
|
reference: "video";
|
||
|
resolution: {cx: 640; cy: 480;};
|
||
|
};
|
||
|
|
||
|
direction
|
||
|
{
|
||
|
primary: "right";
|
||
|
secondary: "down";
|
||
|
};
|
||
|
|
||
|
wrap: "normal";
|
||
|
|
||
|
layer: 0;
|
||
|
|
||
|
style
|
||
|
{
|
||
|
linebreak: "word";
|
||
|
|
||
|
placement
|
||
|
{
|
||
|
clip: "none";
|
||
|
margin: {t: 0; r: 0; b: 0; l: 0;};
|
||
|
align: bottomcenter;
|
||
|
pos: "auto";
|
||
|
offset: {x: 0; y: 0;};
|
||
|
angle: {x: 0; y: 0; z: 0;};
|
||
|
};
|
||
|
|
||
|
font
|
||
|
{
|
||
|
face: "Arial";
|
||
|
size: 20;
|
||
|
weight: "bold";
|
||
|
color: white;
|
||
|
underline: "false";
|
||
|
strikethrough: "false";
|
||
|
italic: "false";
|
||
|
spacing: 0;
|
||
|
scale: {cx: 1; cy: 1;};
|
||
|
kerning: "true";
|
||
|
};
|
||
|
|
||
|
background
|
||
|
{
|
||
|
color: black;
|
||
|
size: 2;
|
||
|
type: "outline";
|
||
|
};
|
||
|
|
||
|
shadow
|
||
|
{
|
||
|
color: black {a: 128;};
|
||
|
depth: 2;
|
||
|
angle: -45;
|
||
|
blur: 0;
|
||
|
};
|
||
|
|
||
|
fill
|
||
|
{
|
||
|
color: yellow;
|
||
|
width: 0;
|
||
|
};
|
||
|
};
|
||
|
};
|
||
|
|
||
|
Streaming
|
||
|
---------
|
||
|
|
||
|
Correct packetization is important when a subtitle file has to be embeded into a media
|
||
|
file. Putting everything into the header would be trivial, but sending the whole track
|
||
|
data ahead cannot be called streaming really, and it also makes editing impossible
|
||
|
unless the application learns how to parse and resave our format.
|
||
|
|
||
|
The recommended way of segmenting ssf into media samples:
|
||
|
- Search top level definitions which do not satisfy the requirements of a displayable
|
||
|
subtitle (one of start/stop/@ is absent) and save them into the file header of the media
|
||
|
file as the initializer data for playback.
|
||
|
- Multiplex the rest of the top level definitions as media samples, their timestamps
|
||
|
shall be used for interleaving with other streams.
|
||
|
|
||
|
Example:
|
||
|
|
||
|
#mystyle {font.face: "Times New Roman";};
|
||
|
subtitle#s1 {time.start: 2s;};
|
||
|
subtitle#s2 : s1 {style: mystyle; time.stop: +1s; @ {2s -> 3s};};
|
||
|
subtitle#s3 {style: mystyle; time.start: 5s; @ {5s -> 7s};};
|
||
|
subtitle#s4 : s3 {time.stop: +2s;};
|
||
|
|
||
|
File header:
|
||
|
|
||
|
#mystyle {font.face: "Times New Roman";};
|
||
|
subtitle#s1 {time.start: 2s;};
|
||
|
subtitle#s3 {style: mystyle; time.start: 5s; @ {5s -> 7s};};
|
||
|
|
||
|
Media samples:
|
||
|
|
||
|
subtitle#s2 : s1 {style: mystyle; time.stop: +1s; @ {2s -> 3s};};
|
||
|
subtitle#s4 : s3 {time.stop: +2s;};
|